{"id":41094,"date":"2021-02-26T13:48:14","date_gmt":"2021-02-26T13:48:14","guid":{"rendered":"http:\/\/batelada.com\/?post_type=tnc_col_22831_item&#038;p=41094"},"modified":"2021-02-26T13:48:15","modified_gmt":"2021-02-26T13:48:15","slug":"o-signo-teatral-a-semiologia-aplicada-a-arte-dramatica","status":"publish","type":"tnc_col_22831_item","link":"https:\/\/batelada.com\/index.php\/gsbiblio\/o-signo-teatral-a-semiologia-aplicada-a-arte-dramatica\/","title":{"rendered":"O Signo Teatral: a semiologia aplicada \u00e0 arte dram\u00e1tica"},"content":{"rendered":"<p>A Semiologia e o Espet\u00e1culo Teatral, IXAs Fun\u00e7?es da Linguagem Teatral &#8211; Roman Ingarden, 3Os Signos do Teatro &#8211; Petr Bogatyrev, 15A Mobilidade do Signo Teatral &#8211; Jindrich Honl, 35O Signo no Teatro &#8211; Tadeusz Kantor, 57<\/p>\n","protected":false},"featured_media":41099,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","class_list":["post-41094","tnc_col_22831_item","type-tnc_col_22831_item","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/41094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item"}],"about":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/types\/tnc_col_22831_item"}],"replies":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/comments?post=41094"}],"version-history":[{"count":0,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/41094\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media\/41099"}],"wp:attachment":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media?parent=41094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}