{"id":42624,"date":"2021-02-26T14:23:11","date_gmt":"2021-02-26T14:23:11","guid":{"rendered":"http:\/\/batelada.com\/?post_type=tnc_col_22831_item&#038;p=42624"},"modified":"2021-02-26T14:23:12","modified_gmt":"2021-02-26T14:23:12","slug":"estudos-teatrais-revista-de-v-1","status":"publish","type":"tnc_col_22831_item","link":"https:\/\/batelada.com\/index.php\/gsbiblio\/estudos-teatrais-revista-de-v-1\/","title":{"rendered":"Estudos Teatrais (Revista de), v.1"},"content":{"rendered":"<p>Ruggiero Jacobi &#8211; A Dire\u00e7\u00e3o &#8211; texto e espet\u00e1culoAb\u00edlio Cordeiro &#8211; Uma Aula de StanislawskiOsmar R. Cruz &#8211; Origem da renova\u00e7\u00e3o do teatro brasileiroW. Louren\u00e7\u00e3o &#8211; O Teatro antigo na \u00cdndiaGil Vicente &#8211; Quem tem farelos?<\/p>\n","protected":false},"featured_media":42629,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","class_list":["post-42624","tnc_col_22831_item","type-tnc_col_22831_item","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/42624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item"}],"about":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/types\/tnc_col_22831_item"}],"replies":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/comments?post=42624"}],"version-history":[{"count":0,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/42624\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media\/42629"}],"wp:attachment":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media?parent=42624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}