{"id":43359,"date":"2021-02-26T14:24:59","date_gmt":"2021-02-26T14:24:59","guid":{"rendered":"http:\/\/batelada.com\/?post_type=tnc_col_22831_item&#038;p=43359"},"modified":"2021-02-26T14:25:00","modified_gmt":"2021-02-26T14:25:00","slug":"revista-camarim-numero-42","status":"publish","type":"tnc_col_22831_item","link":"https:\/\/batelada.com\/index.php\/gsbiblio\/revista-camarim-numero-42\/","title":{"rendered":"Revista Camarim &#8211; n\u00famero 42"},"content":{"rendered":"<p>O \u00e9pico e o \u00edntimo: Kil AbreuVentos novos no encontro entre tradi\u00e7\u00e3o e ruptura: Ant\u00f4nio Rog\u00e9rio ToscanoO mundo como dramaturgo, o mundo como pedagogo: Entrevista com Jo\u00e3o das NevesTeatro de Grupo e o Teatro para Crian\u00e7as: Gabriel GuimardCen\u00e1rios Liminares: onde se cruzam arte e vida: Ileana Di\u00e9guez<\/p>\n","protected":false},"featured_media":43364,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","class_list":["post-43359","tnc_col_22831_item","type-tnc_col_22831_item","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/43359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item"}],"about":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/types\/tnc_col_22831_item"}],"replies":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/comments?post=43359"}],"version-history":[{"count":0,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/43359\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media\/43364"}],"wp:attachment":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media?parent=43359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}