{"id":43632,"date":"2021-02-26T14:30:45","date_gmt":"2021-02-26T14:30:45","guid":{"rendered":"http:\/\/batelada.com\/?post_type=tnc_col_22831_item&#038;p=43632"},"modified":"2021-02-26T14:30:46","modified_gmt":"2021-02-26T14:30:46","slug":"cadernos-de-teatro-n-17","status":"publish","type":"tnc_col_22831_item","link":"https:\/\/batelada.com\/index.php\/gsbiblio\/cadernos-de-teatro-n-17\/","title":{"rendered":"Cadernos de Teatro, n. 17"},"content":{"rendered":"<p>Conte\u00fado:Heloisa Ferreira Guimar\u00e3es: Teatro e religi\u00e3o.Leon Lafabri: O fen\u00f4meno Roger Planchon.Ren\u00e9 Rabault: Sala e cena tradu\u00e7\u00e3o.Jacqueline Laurence: Norah Lambourne ? O guarda-roupa de acess\u00f3rios adapt\u00e1veis.Heloisa F. G.: Henry Cordreaux ? Fabrica\u00e7\u00e3o de acess\u00f3rios de teatro (cont.). Exerc\u00edcios para a voz. An\u00e1lises de pe\u00e7as.<\/p>\n","protected":false},"featured_media":43637,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","class_list":["post-43632","tnc_col_22831_item","type-tnc_col_22831_item","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/43632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item"}],"about":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/types\/tnc_col_22831_item"}],"replies":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/comments?post=43632"}],"version-history":[{"count":0,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/tnc_col_22831_item\/43632\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media\/43637"}],"wp:attachment":[{"href":"https:\/\/batelada.com\/index.php\/wp-json\/wp\/v2\/media?parent=43632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}