The language of the puppet

Description

Publicação da Companhia de Teatro de Animação Tears of Joy. CONTENTS: Preface, p.IV / Part One: From Nursery to Altar, p.1 / 1. The Presence of the Gods, Sirppa Sivori-Asp, p.2 / 2. Masked Emotions, George Latshaw, p.5 / 3. The Appeal of the Puppet: God or Toy?, Steve Tiffis, p.11 / Part Two: Between Illusion and Reality, p.17 / 4. The Ordinary and the Extraordinary: Language and the Puppet, Uno Koshiro, p.18 / 5. The Mode of Existence of Characters of the Puppet Stage, Henryk Jurkowski, p. 21 / 6. Puppet Primitives and the Future of an Illusion, Roman Paska, p.37 / 7. The Voice ofthe Puppet, George Speaight, p.43 / Part Three: Japanese Puppetry, p. 46 / 8. Bunraku and Beyond, p. 46 / 8. Bunraku: A Contemporary Western Fascination, Nancy Staub, p. 47 / 9. An Introduction to the Art of Btmraku, Ueno Michiko, p. 53 / 10. An Artist Remembers, Yoshida Bungoro, p.59 / 11. Puppet Language, Human Body: The Imitation of Puppets in Classical Buyo Dance, Laurence Kominz, p.63 / 12. Contemporary Japanese Puppet Theatre, Katami Eimei, p.76 / Part Four: The Folk Art Puppet Today, p. 80 / 13. The Appeal of Mr. Punch, John Styles, p.81 / 14. A Vanishing Legacy?, Onchuma Yuthavong, p.85 / 15. Northwest Coast Indian Puppetry: A Revival, Duane Pasco, p.90 / 16. Q’We-ti Becomes a Marionette, Chris Carter, p.94 / Part Five: Directors on Directing, p.99 / 17. A Director and the Specific Possibilities of Puppet Theatre, Edi Majaron, p.100 / 18. Practice, Leaming and Teaching in the Puppet Theatre, John Blundall, p.104 / 19. The Buming Bush, Reg Bradley, p.107 / Contributors, p. 113